American Impressionist
r. thompson
Richard Earl Thompson (1914 - 1991)
"Nature's Preservationist in Paint"
Richard Earl Thompson's legacy to the world is the gift of enduring beauty -
nature captured on canvas in all its myriad moods. An American Impressionist of
renown, he has been compared to Monet, but preferred to think of himself as "AN
EXTENSION" to the impressionists "A CONTINUING LINK." Profoundly
influenced by the Master of the French Impressionist School, he also embraced ideas from
Spanish, Italian and American painters. Creating his own unique style by
incorporating a broader 20th Century color palette, which included earth tones, and
combining painting techniques, Thompson's canvases convey a powerful and harmonious
combination of diversified subject matter, exquisite brush work, skillful draftsmanship
and luminosity. He summed up his painting simply, "I hope I have sincerity. I have tried to interpret
things as I feel inside. I have tried not to be something I am not. No shock
treatments, no political messages, compositions based rather on tranquil scenes - a
sincere approach to painting to which all people can relate. When drawing, the
proportion is pretty well established, and I like to devote time to the color of things as
the sun creates them. Color, then is unlimited; it is ever-changing. I see myself not as an extension of the
camera, but of the emotions these colors can evoke."
He remarked that today we have colors at our fingertips that the early impressionists
lacked so we can arrive at even greater variations of light and color. Through the
years he perfected the use of color to such an extent that his painting vary from subtle
mood scenes and pleasant tranquil setting to high brilliance.
A child prodigy at the Chicago Academy of
Fine Art at the age of 15, he was taken
under the wing of Frederick Grant, who was a student of William Merritt Chase, one of
America's great painters. From there he continued at the American Academy of Art and
then on to the Chicago Art Institute to study under Louis Ritman. He felt strongly
that the fundamental training of drawing, color and composition instilled in those early
days provided him the sound basis from which to develop his mature technique.
Both musically and artistically
gifted, at the age of 18 he made the decision to pursue a career in art rather than
opera. He felt that he had to paint in order to live fully. Thompson often
compared art to music, feeling that they were akin, only communication in a different
form. He has stated, "The world is
looking for this communication. A painting that doesn't have to be explained, but
simply portrays a beautiful feeling to which people can relate, is communication.""
The combination of the Depression with the
insurgence of the Modern Art Era, and the necessity of supporting a family, let Thompson
to choose an early career in commercial art. Many will look back with a tinge of
nostalgia recalling the back covers of the "Saturday Evening Post," some of
which Thompson was responsible for while working with Haddon Sundbloom who created many of
the famous Coca-Cola ads. Also among his commercial art credits are the famous World
War II Warbond Posters which he was commissioned to paint by the U.S. Government.
Distinguished and highly successful as his commercial art
career was he never gave up his ambitionto have the "fine art" career for which
he had been trained. In 1959 with commercial illustration being replaced slowly by
photography, he turned to fine art as a full time career. He credited his commercial
art background with aiding him in his ability to do figures so well and to combine
landscapes and figurative works so dramatically. Sensitive to nuance, Thompson lived
a very special life among nature in the woods of Wisconsin
and on the shores of the Florida Key with his supportive and lovely wife, Mary Munn during
his highly productive years of fine art. He said "I have thoroughly enjoyed my years of adventure in painting; they
have provided me with a way to live. What is most important to me now is doing the
thing I've always wanted to do, surrounded by nature and those who are closest to me.
What more can any man ask?"Collectors
and admirers of Richard Earl Thompson's personal expressions of nature, which he held so
dear would agree: his "small moments of time" captured forever on canvas
touch us, please the spirit and fill the soul with joy.

Enter the Collections
of Richard Earl Thompson
TFAOI Biography
Frosty Morn
Collection R.W. Norton Art Museum
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